Back Autumn Bones
Chapters (50)
  1. Cover
  2. Roc Books by Jacqueline Carey
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-one
  24. Twenty-two
  25. Twenty-three
  26. Twenty-four
  27. Twenty-five
  28. Twenty-six
  29. Twenty-seven
  30. Twenty-eight
  31. Twenty-nine
  32. Thirty
  33. Thirty-one
  34. Thirty-two
  35. Thirty-three
  36. Thirty-four
  37. Thirty-five
  38. Thirty-six
  39. Thirty-seven
  40. Thirty-eight
  41. Thirty-nine
  42. Forty
  43. Forty-one
  44. Forty-two
  45. Forty-three
  46. Forty-four
  47. Forty-five
  48. Forty-six
  49. Forty-seven
  50. Forty-eight

The band wrapped up a Louis Armstrong number and paused to confer among themselves and talk to the staff. From what I could gather, they were trying to convince the woman tending bar to sing a number. Sinclair rapped his knuckles on the table. “Excuse me, ladies, but I’ve got to use the restroom. Back in a minute.”

As he left the table, the bartender acceded to demand and left her station to take the microphone. Her face was lined and weathered before its time, she was a hard-worn fiftysomething in faded jeans, a shapeless T-shirt, and a service apron, but I’d heard her sing before. Reaching for his mute, the trumpet player launched into the unmistakable opening bars of “Stormy Weather.”

“She’s good,” I said to Emmeline. “I know, you wouldn’t think it to look at her. But if you like the blues at all—”

All the warmth had fled from her expression. “I want you to stop seeing my brother.”

I blinked at her. “Excuse me?”

“You heard me.” Her eyes were as cold and hard as obsidian. “Look at this place. He doesn’t belong here.”

My tail twitched. Onstage, the bartender held the microphone in both hands and sang in a low, raspy, crooning voice that she didn’t know why there was no sun up in the sky. A lot of amateurs emulate whatever singer made the song famous, but not her. She didn’t try to sound like Lena or Etta or Billie; she made it her own. I let the music wash over me, trying to regain my composure and racking my brain to figure out what I’d said or done to offend Sinclair’s sister. “I’m sorry, I don’t understand. Is this a . . . a cultural issue?”

“Are you asking me if this is about race?” Emmeline’s upper lip curled. “You’re damned right it is. The human race.”

She didn’t add, “of which you’re not a member.” She didn’t need to. It was implicit. All that pleasant conversation throughout dinner had been an act. Okay, now my temper was beginning to simmer. I took a slow, deep breath, visualized a pot, and clamped a lid on it. “You knew about that before you came here, didn’t you?”

“Of course I knew!” Emmeline said sharply. “Did you think it wouldn’t get back to our mother as soon as someone in the community found out?” I looked blankly at her. “The Jamaican community.”

Belatedly, I remembered that one of the Mamma Jammers was also an immigrant—Roddy, the drummer, whose uncle owned the garage where Sinclair’s dad worked. He must have told someone who told someone who got on the horn to the Right Honorable Mama Palmer to tell her that her estranged son was dating a hell-spawn, whereupon Judge Palmer dispatched dear Emmy to straighten things out.