Unlike the children’s parade, there was nothing quaint about the adult parade. There were mad scientists in goggles and blood-splattered lab coats, rotting zombies with latex eyeballs falling down their cheeks. There were ugly witches and sexy witches. There was a guy in a skeleton suit walking expertly on stilts and brandishing a plastic axe who was clearly meant to be Talman Brannigan back from beyond the grave.

That got a big round of applause.

There was a middle-aged heavyset guy in a corset, fishnet stockings, and pumps, with a placard around his neck and a whip-wielding dominatrix beside him, representing some political scandal I’d missed out on. Actually, there were several of those. I really needed to pay more attention to the national news. There was a twelve-foot-tall Pumpkinhead puppet operated by a local theater troupe. Like the Headless Horseman, it was a regular feature. Even though you could see the puppeteers working the poles that supported it, the effect as it bobbed and swayed above the crowd, an evil grin fixed on its ginormous orange head as it turned this way and that, skeletal hands outstretched, was pretty uncanny.

There were nuns and priests and pirates and mummies, and there was a group dressed as the cast of The Wizard of Oz. There was always a Wizard of Oz group. It wasn’t a regularly planned appearance, it just happened that way.

And of course, there was the squadron of Lurine Hollisters from Rainbow’s End. Drag versions of Lurine paraded down the street in a bloodstained lace slip and stiletto heels from her B-movie horror classic Revulsion Asylum and the bloodstained wedding dress and deranged streaks of mascara from the sequel, Return to Revulsion Asylum. There was the famous scarlet suit, pillbox hat, and veil that she’d worn during the trial regarding the challenge to her late husband’s will. There was the figure-hugging, sparkling Dolce & Gabbana gold gown—well, a decent approximation of it, anyway—that Lurine had worn after the verdict was announced in her favor.

Okay, I admit it, I got caught up in the moment enough to cheer.

There was even a Drag Lurine in the dowdy gingham dress she’d worn in one of the few serious movies she’d done, an indie film called Lindy’s Crossing.

The real Lurine smiled beneath the edge of her feathered mask. “Well done, boys. I wasn’t expecting to see that one.”

“You know, that was actually a really good—” I stopped when Cody grabbed my shoulder again. “What is it?”

“He’s here.” Cody’s fingers tightened on my shoulder. His head was up, nostrils twitching, and there was a feral sheen in his eyes. “The Tall Man, or at least his remains. Come on!”

Without waiting for a response, Cody vaulted off the stoop and began pushing his way through the crowd, ignoring complaints. I followed in his wake, stepping awkwardly over the police tape.