Back Artists in Crime
Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

‘He seemed quite an honest-to-God sort of fellow, really,’ pronounced Nigel. ‘I think it was that stuff about being ashamed of his affair with the model that put me off him. It sounded spurious. Anyway, it’s the sort of thing one doesn’t talk about to people one has just met.’

‘Under rather unusual conditions,’ Alleyn pointed out.

‘Certainly. All the same, he talks too much.’

‘The remark about bounding journalists and miserable gup was perhaps gratuitous.’

‘I didn’t mean that,’ said Nigel in a hurry.

‘I’m inclined to agree with you. Let us see Miss Valmai Seacliff, Brer Fox.’

‘I wish you wouldn’t make me coil up in that chair,’ complained Nigel when Fox had gone. ‘It’s plaguily uncomfortable and right in a draught. Can’t I just be here, openly? I’d like to have a look at this lovely.’

‘Very well. I suppose you’ll do no harm. The concealment was your own suggestion, if you remember. You may sit at the desk and make an attempt to look like the Yard.’

‘You don’t look much like it yourself in your smart gent’s dinner jacket. Tell me, Alleyn, have you fallen in love with Miss Troy?’

‘Don’t be a fool, Bathgate,’ said Alleyn, with such unusual warmth that Nigel’s eyebrows went up.

‘I’m sorry,’ he said. ‘Merely a pleasantry. No offence and so on.’

‘I’m sorry, too. You must forgive me. I’m bothered about this case.’

‘There, there,’ said Nigel. ‘Coom, coom, coom, it’s early days yet.’

‘True enough. But suppose Garcia walks in with a happy smile in answer to our broadcast? That bit of clay in the drape. Acid marks and no acid to make ‘em. This legendary warehouse. Clay models of comedy and tragedy melted into the night. Damn, I’ve got the mumbles.’

The door was thrown open, and in came Valmai Seacliff, followed by Fox. Miss Seacliff managed to convey by her entrance that she never moved anywhere without a masculine satellite. That Inspector Fox in his double-breasted blue serge was not precisely in the right manner did nothing to unsettle her poise. She was dressed in a silk trousered garment. Her hair was swept off her forehead into a knot on the nape of her neck. Moving her hips voluptuously, she walked rather like a mannequin. When she reached the chair Alleyn had pushed forward, she turned, paused, and then sank into it with glorious certainly of a well trained show-girl. She stared languidly at Nigel, whose hand had gone automatically to his tie.

‘Well, Mr Alleyn?’ said Miss Seacliff.

The three men sat down. Alleyn turned a page of his tiny notebook, appeared to deliberate, and embarked upon the familiar opening.