Back Artists in Crime
Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

‘And all the time she was talking about deceased and body-urges and so forth, she never seemed to realize what these sick, giddy turns might mean,’ concluded Fox.

‘Of course the girl was going to have a child,’ said Nigel complacently.

‘It doesn’t follow as the night the day,’ murmured Alleyn. ‘She may have been liverish or run-down. Nevertheless, it’s odd that the little thought never entered Miss Lee’s head. You go back to your corner, Bathgate, here’s Mr Watt Hatchett.’

Watt Hatchett came in with his hands thrust into his trousers pockets. Alleyn watched him curiously, thinking what a perfect type he was of the smart Sydney tough about to get on in the world. He was short, with the general appearance of a bad man in a South American movie. His hair resembled a patent-leather cap, his skin was swarthy, he walked with a sort of hard-boiled slouch, and his clothes fitted him rather too sleekly. A cigarette seemed to be perpetually gummed to his under-lip which projected. He had beautiful hands.

‘Want me, Inspector?’ he inquired. He never opened his lips more than was absolutely necessary, and he scarcely seemed to move his tongue, so that every vowel was strangled at birth, and for preference he spoke entirely through his nose. There was, however, something engaging about him; an aliveness, a raw virility.

‘Sit down, Mr Hatchett,’ said Alleyn. ‘I shan’t keep you long.’

Hatchett slumped into an armchair. He moved with the slovenly grace of an underbred bouncer, and this in its way was also attractive.

‘Good oh,’ he said.

‘I’m sure you realize yourself the importance of the information we have from you as regards the drape.’

Too right. I reckon it shows that whoever did the dirty stuff with the knife did it after everyone except Garcia and Mr Highbrow Malmsley had cleared off to London.’

‘Exactly. You will therefore not think it extraordinary if I ask you to repeat the gist of this information.’

Hatchett wanted nothing better. He went over the whole story again. He went down to the studio on Friday afternoon—he remembered now that it was half-past two by the hall clock when he left the house—and noticed the drape lying crumpled on the throne, as Sonia had left it when she got up at noon. It was still undisturbed when he went away to catch the bus.

‘And yesterday evening it was stretched out tight. There you are.’

Alleyn said nothing about Troy’s discovery of this condition on Saturday afternoon. He asked Hatchett to account for his own movements during the weekend. Hatchett described his Friday evening’s entertainment with Phillida Lee and Ormerin.