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Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

‘It’s the lady that you should be cross about, not me.’

‘I’m not cross, Roderick. Give yourself another glass of sherry. No, not for me.’

‘Anyway,’ said Alleyn, ‘I’m glad you like the portrait.’

‘Did you see much of her in Quebec?’

‘Very little, darling. We bowed to each other at mealtimes and had a series of stilted conversations in the lounge. On the last evening she was there I took her to the play.’

‘Was that a success?’

‘No. We were very polite to each other.’

‘Ha!’ said Lady Alleyn.

‘Mamma,’ said Alleyn, ‘you know I am a detective.’ He paused, smiling at her. ‘You look divine when you blush,’ he added.

‘Well, Roderick, I shan’t deny that I would like to see you married.’

‘She wouldn’t dream of having me, you know. Put the idea out of your head, little mum. I very much doubt if I shall ever have another stilted conversation with Miss Agatha Troy.’

The head parlourmaid came in.

‘A telephone call from London for Mr Roderick, m’lady.’

‘From London?’ asked Alleyn. ‘Oh Lord, Clibborn, why didn’t you say I was dead?’

Clibborn smiled the tolerant smile of a well-trained servant, and opened the door.

‘Excuse me, please, Mamma,’ said Alleyn, and went to the telephone.

As he unhooked the receiver, Alleyn experienced the little prick of foreboding that so often accompanies an unexpected long-distance call. It was the smallest anticipatory thrill and was succeeded at once by the unhappy reflection that probably Scotland Yard was already on his track. He was not at all surprised when a familiar voice said:

‘Mr Alleyn?’

‘That’s me. Is it you, Watkins?’

‘Yes, sir. Very pleasant to hear your voice again. The Assistant

Commissioner would like to speak to you, Mr Alleyn.’

‘Right!’

‘Hullo, Mr Alleyn?’ said a new voice.

‘Hullo, sir.’

‘You can go, Watkins.’ A pause, and then: ‘How are you, Rory?’

‘Very fit, thanks, sir.’

‘Ready for work?’

‘Yes. Oh, rather!’

‘Well now, look here. How do you feel about slipping into the sad dle three days before you’re due? There’s a case cropped up a few miles from where you are, and the local people have called us in. It would save time and help the department if you could take over for us.’

‘Certainly, sir,’ said Alleyn, with a sinking heart. ‘When?’

‘Now. It’s a homicide case. Take the details. Address, Tatler’s End House.’

‘What! I beg your pardon, sir. Yes?’

‘A woman’s been stabbed. Do you know the place, by any chance?’

‘Yes, sir.’

‘Thrrree minutes.’

‘Extend the call, please. Are you there, Rory?’

‘Yes,’ said Alleyn. He noticed suddenly that the receiver was clammy.

‘It belongs to the artist, Miss Agatha Troy.’

‘I know.’

‘You’ll get the information from the local super—Blackman—who’s there now. The model has been killed, and it looks like murder.

‘I—can’t—hear.’