Back Artists in Crime
Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

‘Well, we got a description of Garcia last night, of course, but to make sure, I asked the Hipkins and Sadie and Ethel to repeat it. They gave the same story. He always wears a very old mackintosh, whether it’s wet or fine, and it’s their belief he hasn’t got a jacket. Miss Troy gave him a grey sweater and he wears that with a pair of old flannel trousers. Mrs Hipkin says Miss Troy had given him two shirts and Mr Pilgrim gave him some underclothes. He doesn’t often wear anything on his head, but they have seen him in a black beret. Sadie says he looks as rough as bags. Ethel said straight out that she thought the figure outside the window was Garcia. She said so to her boy. She says it was the dead spit of Garcia, but then, we’ve got to remember it wasn’t at all distinct, and she may think differently now that she knows Garcia has gone. You know how they make up all sorts of things without scarcely knowing what they’re up to.’

‘I do indeed. Had this figure by the window anything on its back— like a rucksack, for instance?’

‘They say he hadn’t, but of course, if it was Garcia, he might not have picked up his gear when they saw him.’

‘No.’

‘I look at it this way. He might have gone through the window to take a short cut to the garage by way of the lane, and he might have stood there, having a last look at the arrangement on the model’s throne.’

‘Through the hole in the blind? Rather a sinister picture, Fox. Wouldn’t they have heard him open the window?’

‘Um,’ said Fox.

‘It makes a fair amount of noise.’

‘Yes. Yes, that’s so.’

‘Anything else?’

‘No. They ambled off home. Hullo, sir, what’s up?’

Alleyn had pulled up and now began to turn the car in the narrow lane.

‘Sorry, Fox, but we’re going back to have a look at the hole in the blind.’

And back to the studio they went. Alleyn measured the distance from the window-sill to the hole—a triangular tear, of which the flap had been turned back. He also measured the height of the lamps from the floor. He climbed on Fox’s shoulders and tied a thread to the light nearest the window. He stretched the thread to the hole in the blind. Fox stood outside in the pouring rain. Alleyn threw the window up, passed the thread through the hole to Fox, who drew it tight and held it against his diaphragm.

‘You see?’ said Alleyn.

‘Yes,’ said Fox, ‘I’m six foot two in my socks and it hits me somewhere—let’s see—’

‘About the end of the sternum.’

‘That’s right, sir.’

‘Good enough, but we’ll take a look at night. Let’s go and have breakfast.’