Back Artists in Crime
Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

Like the note to Sonia, this was written in pencil on an odd scrap of paper. It was not dated or addressed, and the envelope was missing.

Dear Valmai,

I hear you’re going to Troy’s this term. So am I. I’m broke. I haven’t got the price of the fare down, and I want one or two things— paints mostly. I’m going to paint for a bit. I took the liberty of going into Gibson’s, and getting a few things on your account. I told old Gibson it would be all right, and he’d seen me in the shop with you, so it was. Do you think Basil Pilgrim would lend me a fiver? Or would you? I’ll be OK when Troy gets back, and I’ve got a good commission, so the money’s all right. If I don’t hear from you, I’ll ask Pilgrim. I can’t think of anyone else. Is it true you’re going to hitch up with Pilgrim? You’d much better try a spot of free love with me.—G.

‘Cool,’ said Fox.

‘Does this bloke live on women?’ asked Bailey.

‘He lives on anyone that will provide the needful, I’d say,’ grunted Fox.

‘That’s about it,’ said Alleyn. ‘We’ll keep this and any other Garcia letters we find, Fox. Well, that’s all, isn’t it? Either of you got any more tender missives? All right then, we’ll pack up. Fox, you might tell them all they may turn in now. My compliments and so on. Miss Troy has gone to her room. The others, I suppose, will still be in the dining-room. Come on, Bathgate.’

A few minutes later they all met in the hall. Tatler’s End House was quiet at last. The fires had died down in all the grates, the rooms had grown cold. Up and down the passages the silence was broken only by the secret sounds made by an old house at night, small expanding noises, furtive little creaks, and an occasional slow whisper as though the house sighed at the iniquity of living men. Alleyn had a last look round and spoke to the local man who was to remain on duty in the hall. Bailey opened the door and Fox turned out the last of the lights. Nigel, huddled in an overcoat, stowed his copy away in a pocket and lit a cigarette. Alleyn stood at the foot of the stairs, his face raised, as if he listened for something.

‘Right, sir?’ asked Fox.

‘Coming,’ said Alleyn. ‘Good night.’

‘Good night, sir,’ said the local man.

‘By the way—where’s the garage?’

‘Round the house to the right, sir.’

‘Thank you. Good night.’

The front door slammed behind them.

‘Blast that fellow!’ said Alleyn. ‘Why the devil must he wake the entire household?’

It was a still, cold night, with no moon. The gravel crunched loudly under their feet.