Back Artists in Crime
Chapters (25)
  1. Cover Page
  2. Dedication
  3. The Characters in the Tale
  4. CHAPTER 1Prologue at Sea
  5. CHAPTER 2Five Letters
  6. CHAPTER 3Class Assembles
  7. CHAPTER 4Case for Mr Alleyn
  8. CHAPTER 5Routine
  9. CHAPTER 6Sidelight on Sonia
  10. CHAPTER 7Alibi for Troy
  11. CHAPTER 8Sidelights on Garcia
  12. CHAPTER 9Phillida Lee and Watt Hatchett
  13. CHAPTER 10Weekend of an Engaged Couple
  14. CHAPTER 11Ormerin’s Nerves and Sonia’s Correspondence
  15. CHAPTER 12Malmsley on Pleasure
  16. CHAPTER 13Upstairs
  17. CHAPTER 14Evidence from a Twig
  18. CHAPTER 15Lady of the Ensemble
  19. CHAPTER 16Back to the Yard
  20. CHAPTER 17The Man at the Table
  21. CHAPTER 18One of Five
  22. CHAPTER 19Alleyn Makes a Pilgrimage
  23. CHAPTER 20Arrest
  24. CHAPTER 21Epilogue in a Garden
  25. About the Publisher

In a minute or two he had finished. It would have been absolutely all right if he had never asked about her room. No need for that little scene. He hung up the last garment, glanced round the room and looked for the fourth or fifth time at the photograph of a man that stood on the top of the bow-fronted chest. A good-looking man who had signed himself ‘John’. Alleyn, yielding to an unworthy impulse, made a hideous grimace at this photograph, turned to leave the room and saw Troy, amazed, in the doorway. He felt his face burning like a sky sign.

‘Have you finished, Mr Alleyn?’

‘Quite finished, thank you.’

He knew she had seen him. There was a singular expression in her eyes.

‘I have just made a face at the photograph on your tallboy,’ said Alleyn.

‘So I observed.’

‘I have gone through your clothes, fished in your pockets and read all your letters. You may go to bed. The house will be watched, of course. Good night, Miss Troy.’

‘Good morning, Mr Alleyn.’

Alleyn went to Katti Bostock’s room where he found nothing of note. It was a great deal untidier than Troy’s room, and took longer. He found several pairs of paint-stained slacks huddled together on the floor of the wardrobe, an evening dress in close proximity to a painting-smock, and a row of stubborn-looking shoes with no trees in them. There were odds and ends in all the pockets. He plodded through a mass of receipts, colour-men’s catalogues, drawings and books. The only personal letter he found was the one Troy had written and posted at Vancouver. This had to be read. Troy’s catalogue of the students was interesting. Then he came to the passages about himself. ‘…turned out to be intelligent, so I felt the fool…Lookslike a grandee…on the defensive about this sleuth…Took it like a gent and made me feel like a bounder.’ As he read, Alleyn’s left eyebrow climbed up his forehead. He folded the letter very carefully, smoothed it out and returned it to its place among a box of half-used oil-colours. He began to whistle under his breath, polished off Katti Bostock’s effects, and went in search of Fox and Bailey. They had finished the men’s bedrooms.

Fox had found Malmsley’s opium-smoking impedimenta and had impounded them. The amount of opium was small. There were signs that the jar had at one time been full.

‘Which does not altogether agree with Mr Malmsley’s little story,’ grunted Alleyn. ‘Has Bailey tried the things for prints?’

‘Yes. Two sets, Garcia and Malmsley’s on the pipe, the lamp and the jar.’

‘The jar. That’s interesting. Well, let’s get on with it.’