Back Artistic Licence
Chapters (31)
  1. Cover
  2. About the Author
  3. Praise for Katie Fforde
  4. Also by Katie Fforde
  5. Title
  6. Copyright
  7. Contents
  8. Dedication
  9. Acknowledgements
  10. Chapter One
  11. Chapter Two
  12. Chapter Three
  13. Chapter Four
  14. Chapter Five
  15. Chapter Six
  16. Chapter Seven
  17. Chapter Eight
  18. Chapter Nine
  19. Chapter Ten
  20. Chapter Eleven
  21. Chapter Twelve
  22. Chapter Thirteen
  23. Chapter Fourteen
  24. Chapter Fifteen
  25. Chapter Sixteen
  26. Chapter Seventeen
  27. Chapter Eighteen
  28. Chapter Nineteen
  29. Chapter Twenty
  30. Chapter Twenty-One
  31. Chapter Twenty-Two

‘Molly, I know you’re really well connected but my friend truly has an enormous number of contacts.’ Ben sounded apologetic.

‘Oh, well, could you at least show us a copy of the press release?’ asked Thea. ‘So we have some idea what the story is?’

‘Sure.’ He put his briefcase on the desk and took out a sheaf of papers. He handed one each to Molly and Thea. It read:

There are pots of gold at the bottom of rainbows in Ireland, but something even more exciting has been discovered in the far west of County Mayo. A young man, whose work hasn’t been seen since just after his graduate show, has been working in private on a series of landscapes that is creating enormous excitement in the art world. Offered a show in London by the Edward Grampian Gallery, he decided instead to exhibit at a brand-new provincial gallery, opened by one time girlfriend [Thea coughed] Thea Orville, who created the gallery just to show his work. Why he should make his debut in a completely unknown location instead of in a well-established London gallery is a mystery, but the art world will be flocking to see. The fact that he happens to be ‘a ride’ is just a bonus.

A photograph of Rory staring out over Clew Bay, which she remembered taking herself, shared the page. Thea had to admit that he looked as beautiful and romantic as possible.

‘Well,’ she said, feeling very ambivalent, handing back the page. ‘It’s obviously done the trick. The phone hasn’t stopped – oops, there it goes again.’ After she had dealt with the call, she turned back to Ben. ‘But I’m not at all sure it’s ethical. I’ve never been Rory’s girlfriend and it’s his work they should be talking about, not what he looks like and whether or not he happens to be “a ride".’

‘What does that mean, anyway?’ demanded Molly.

‘I think it’s what Petal would describe as “well-fit", in Irish,’ said Thea. ‘And I haven’t time to keep answering the telephone to journalists who are more keen to know whether or not Rory and I were an item than about his work.’

‘Well, are you? An item, that is?’ asked Ben.

‘What has that got to do with the price of fish?’ demanded Thea, furious with him for asking, especially in front of Molly, so they couldn’t have a proper row.

‘Possibly nothing. It’s just helpful to know the facts. From a PR point of view.’

‘Oh, really? Going on what I’ve just read, you just make it up. Facts have nothing to do with it.’

‘Oh, stop bickering, you two,’ Molly snapped. ‘How are we going to cope with the phone when we’ve got so much to do? I’ve got a hair appointment. There are some extra postcards to collect and goodness knows what else.’