In the dog bite lawsuit, which became Elias’s signature case, the jury found that the rights of the plaintiff had been violated. But since that plaintiff was a burglar with a long track record of prior arrests and convictions, the jury awarded him only one dollar in damages. Their intent was clear, to send a message to the police department rather than to make a criminal wealthy. But that didn’t matter to Elias. A win was a win. Under the federal guidelines he then submitted a bill to the city for $340,000 in legal fees. The city screamed and audited it, but still ended up paying more than half. In effect, the jury — and the many before and since — believed they were delivering a rebuke to the LAPD, but they were also paying for Elias’s half-hour late-night infomercials on Channel 9, his Porsche and his Italian courtroom suits, his opulent home up in Baldwin Hills.

Elias, of course, was not alone. There were dozens of attorneys in the city who specialized in police and civil rights cases and mined the same federal provision allowing them to extract fees far in excess of the damages awarded their clients. Not all were cynical and motivated by money. Lawsuits by Elias and others had brought about positive change in the department. Even their enemies — the cops — could not begrudge them that. Civil rights cases brought about the end of the department-approved use of the choke hold while subduing suspects — after an inordinately high number of minority deaths. Lawsuits had also improved conditions and protections in local jails. Other cases opened and streamlined means for citizens to file complaints against abusive police officers.

But Elias stood head and shoulders above them all. He had media charm and the speaking skills of an actor. He also seemed to lack any criteria when it came to choosing his clients. He represented drug dealers who claimed to have been abused by their interrogators, burglars who stole from the poor but objected to being beaten by the police who chased them down, robbers who shot their victims but then cried foul when they in turn were shot by police. Elias’s favorite line — used as a tagline on his commercials and whenever cameras were pointed at his face — was to say that abuse of power was abuse of power, regardless of whether the victim was a criminal. He was always quick to look into the camera and declare that if such abuse was tolerated when it was aimed at the guilty, it wouldn’t be long before the innocent were targeted.