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Contents (76)
  1. DEDICATION
  2. EPIGRAPH
  3. CONTENTS
  4. WARLOCK
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. 16
  21. 17
  22. 18
  23. 19
  24. 20
  25. 21
  26. 22
  27. 23
  28. 24
  29. 25
  30. 26
  31. 27
  32. 28
  33. 29
  34. 30
  35. 31
  36. 32
  37. 33
  38. 34
  39. 35
  40. 36
  41. 37
  42. 38
  43. 39
  44. 40
  45. 41
  46. 42
  47. 43
  48. 44
  49. 45
  50. 46
  51. 47
  52. 48
  53. 49
  54. 50
  55. 51
  56. 52
  57. 53
  58. 54
  59. 55
  60. 56
  61. 57
  62. 58
  63. 59
  64. 60
  65. 61
  66. 62
  67. 63
  68. 64
  69. 65
  70. 66
  71. 67
  72. 68
  73. ACKNOWLEDGMENTS
  74. ABOUT THE AUTHOR
  75. COPYRIGHT
  76. ABOUT THE PUBLISHER

I feel awkward about the praise. If I’d said something sooner last night, if I hadn’t been distracted, we might have had more to go on. Like everyone else, I was still too dazzled by the show to see where it was going. Danielle may be trying to pay me a compliment, but it’s just a reminder to me that I failed.

Knoll thanks Danielle and takes over the podium. “We have several areas we need to investigate. We need to identify who the second victim is. How was she chosen? Does she fit a type the Warlock has? Was she just a lucky find for him? Did he find her after murdering Chloe McDonald? The scars on her chest matched the original stab wounds. The question we have now, without the full body, is whether those were genuine or makeup effects? If they were genuine scars that healed over, that suggests a whole different level of premeditation. Based upon the evidence on hand, the assistant director has suggested we proceed to treat this as a serial killer investigation. To help us with that, we’ve brought in an expert to assist the analysis unit in giving us a profile.”

I turn to look at the head of behavioral sciences, but he’s looking at me. Everyone is facing my direction. All the FBI chiefs in the room are waiting.

Ailes leans in and whispers to me, “You’re on.”

Me?

11

MY FIRST STEP onstage was by accident. I was three years old and my grandfather was performing a series of shows in London’s West End. My mother had run off a year before, leaving me in the care of my unprepared father and my equally unskilled grandfather—his solution was to use dancers in the troupe as nannies. I had more “aunts” and “uncles” than I can remember. I was watching from the wings as usual. I used to sit in the lap of the dancers before they would go on, and this time my designated sitter was filling in for a girl getting ready on the other side of the stage, so I was left unattended.

Grandfather was performing the Mischief Rabbit, a trick invented by his father. He’d pretend to attempt to make a rabbit appear out of a silk top hat, only to fail. Each time he turned to the audience with an exasperated look, the rabbit would poke his head out of the top of the hat.

The trick was accomplished by a pneumatic lift built into the table. Each time Grandfather stepped away, a stagehand would push a button and raise the rabbit on its little rabbit elevator, bringing him into view.

I loved the trick. The rabbit delighted me. I used to feed him carrots and look after him and his six brothers like they were my own pets. When Grandfather performed the trick, I paid no mind to the machinery and thought it was really the rabbit poking his head out of the hat, giving Grandfather a hard time.