Chapters (36)
- Title Page
- Welcome
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- Acknowledgments
- extras
- meet the author
- introducing
- Prologue: Julie
- Chapter One: Holden
- introducing
- Prologue
- 1
- By Ann Leckie
- Praise for the NEBULA, ARTHUR C. CLARKE, LOCUS, and BSFA award–winning; and HUGO, and PHILIP K. DICK award–nominated Ancillary Justice
- Thank you for buying this ebook, published by Orbit.
- Copyright
I rose before the sun, when the sky was a pearled pink and pale blue, and the lake and its valley still shadowed. The air was cool but not chill, and I had not had enough space to run for more than a year. It had been a habit when I had been in the Itran Tetrarchy, a place where sport was a matter of religious devotion, exercises for their ball game were a prayer and a meditation. It felt good to return to it, even though no one here played the game or even knew it existed. I took the road toward the low ridge at an easy jog, wary of my right hip, which I had injured a year ago and which hadn’t healed quite right.
As I came over the ridge, I heard singing. One strong voice, pitched to echo off the stony outcrops and across the field where workers with baskets slung over their shoulders rapidly plucked leaves from the waist-high bushes. At least half of those workers were children. The song was in Delsig, a lament by the singer that someone she loved was committed exclusively to someone else. It was a distinctively Valskaayan subject, not the sort of thing that would come up in a typical Radchaai relationship. And it was a song I’d heard before. Hearing it now raised a sharp memory of Valskaay, of the smell of wet limestone in the cave-riddled district I’d last been in, there.
The singer was apparently a lookout. As I drew nearer, the words changed. Still Delsig, largely incomprehensible, I knew, to the overseers.
Here is the soldier
So greedy, so hungry for songs.
So many she’s swallowed, they leak out,
They spill out of the corners of her mouth
And fly away, desperate for freedom.
I was glad my facial expressions weren’t at all involuntary. It was cleverly done, fitting exactly into the meter of the song, and I wouldn’t have been able to help smiling, thus betraying the fact that I’d understood. As it was, I ran on, apparently oblivious. But watching the workers. Every single one of them appeared to be Valskaayan. The singer’s satire on me had been intended for these people, and it had been sung in a Valskaayan language. On Athoek Station, I had been told that all Fosyf’s field workers were Valskaayan, and at the time it had struck me as odd. Not that some of them might be, but that all of them would be. Seeing confirmation of it, now, the wrongness of it struck me afresh.