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Contents ( 18)
  1. CONTENTS
  2. ANCIENT SORCERIES
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. THE LISTENER
  10. THE SEA FIT
  11. THE WILLOWS
  12. I
  13. II
  14. III
  15. IV
  16. V
  17. ALSO AVAILABLE FROM PUSHKIN PRESS
  18. COPYRIGHT

Oct. 17.—For several days I have been working on a ponderous article that allows no play for the fancy.

My imagination requires a judicious rein; I am afraid to let it loose, for it carries me sometimes into appalling places beyond the stars and beneath the world. No one realises the danger more than I do. But what a foolish thing to write here—for there is no one to know, no one to realise! My mind of late has held unusual thoughts, thoughts I have never had before, about medicines and drugs and the treatment of strange illnesses. I cannot imagine their source.

At no time in my life have I dwelt upon such ideas as now constantly throng my brain. I have had no exercise lately, for the weather has been shocking; and all my afternoons have been spent in the reading-room of the British Museum, where I have a reader’s ticket.

I have made an unpleasant discovery: there are rats in the house. At night from my bed I have heard them scampering across the hills and valleys of the front room, and my sleep has been a good deal disturbed in consequence.

Oct. 19.—The landlady, I find, has a little boy with her, probably her son’s child. In fine weather he plays in the alley, and draws a wooden cart over the cobbles. One of the wheels is off, and it makes a most distracting noise. After putting up with it as long as possible, I found it was getting on my nerves, and I could not write. So I rang the bell. Emily answered it.

“Emily, will you ask the little fellow to make less noise? It’s impossible to work.”

The girl went downstairs, and soon afterwards the child was called in by the kitchen door. I felt rather a brute for spoiling his play. In a few minutes, however, the noise began again, and I felt that he was the brute. He dragged the broken toy with a string over the stones till the rattling noise jarred every nerve in my body. It became unbearable, and I rang the bell a second time.

“That noise must be put a stop to!” I said to the girl, with decision.

“Yes, sir,” she grinned, “I know; but one of the wheels is hoff. The men in the stable offered to mend it for ’im, but he wouldn’t let them. He says he likes it that way.”

“I can’t help what he likes. The noise must stop. I can’t write.”

“Yes, sir; I’ll tell Mrs. Monson.”

The noise stopped for the day then.

Oct. 23.—Every day for the past week that cart has rattled over the stones, till I have come to think of it as a huge carrier’s van with four wheels and two horses; and every morning I have been obliged to ring the bell and have it stopped. The last time Mrs. Monson herself came up, and said she was sorry I had been annoyed; the sounds should not occur again. With rare discursiveness she went on to ask if I was comfortable, and how I liked the rooms. I replied cautiously. I mentioned the rats. She said they were mice. I spoke of the draughts. She said, “Yes, it were a draughty ’ouse.” I referred to the cats, and she said they had been as long as she could remember. By way of conclusion, she informed me that the house was over two hundred years old, and that the last gentleman who had occupied my rooms was a painter who “’ad real Jimmy Bueys and Raffles ’anging all hover the walls”. It took me some moments to discern that Cimabue and Raphael were in the woman’s mind.