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Contents ( 44)
  1. A WASH OF BLACK
  2. CHRIS MCDONALD
  3. CONTENTS
  4. CRITICAL ACCLAIM FOR A WASH OF BLACK
  5. LOVE BEST-SELLING FICTION?
  6. FROM BLOODHOUND BOOKS
  7. PROLOGUE
  8. 1
  9. 2
  10. 3
  11. 4
  12. 5
  13. 6
  14. 7
  15. 8
  16. 9
  17. 10
  18. 11
  19. 12
  20. 13
  21. 14
  22. 15
  23. 16
  24. 17
  25. 18
  26. 19
  27. 20
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. 26
  34. 27
  35. 28
  36. 29
  37. 30
  38. EPILOGUE
  39. EIGHT WEEKS LATER
  40. ACKNOWLEDGEMENTS
  41. YOU WILL ALSO ENJOY
  42. ABOUT THE AUTHOR
  43. LOVE BEST-SELLING FICTION?
  44. FROM BLOODHOUND BOOKS

We walk towards the rink, perch on the barrier between solid floor and ice and survey the scene. A shudder courses through my body which has nothing to do with the cold. I’m used to seeing what the worst of humanity is capable of, but sometimes the sheer brutality of it all takes me by surprise. I realise my hand has subconsciously covered my stomach.

In the middle of the ice lie the remains of a woman. She may have been beautiful once, but no longer in death. Serrated blades hold her long limbs tight to the ice. Her head is angled, as if searching for an impossible escape. A gaping black-hole swirls where her neck once was.

On the other side of the rink, a broken door leading to the street is at the mercy of the wind. Police tape has been rolled across it at waist height, and a uniformed officer has been handed the short straw, tasked with keeping vigil just outside in the pouring rain.

John Kirrane is the forensic pathologist present at the scene; the best the city of Manchester has to offer. He is perhaps the thinnest man I have ever seen, as if his appetite is limited by the grisly nature of his job. Understandable really.

From under his hairnet, tight rings of short ginger hair curl around the legs of his glasses, securing them steadfastly in place. His spindly fingers hold a recorder to his lips and he speaks into it at regular intervals, when he spots something of note. He glances towards us and raises a hand in recognition.

‘Erika! Give me two minutes and I’ll be with you,’ he shouts, his voice echoing around us.

We watch him go about his work before clicking off his recording device and walking over the metal stepping plates towards us.

‘Erika, it’s fantastic to see you. You’re back for good now?’

‘Yep, and fit as a fiddle,’ I nod.

‘I’m so glad,’ he beams, ‘horrible business.’ He shakes his head, clears the emotion away. ‘Martin has done all he can on the ice,’ he says, looking over my shoulder at the head Scene of Crime officer.

He puts his hand in the air to attract Martin’s attention. ‘I’ll just talk through the body and then she’s all yours,’ he calls. Martin nods his head and stoops down, unzips his bag and readies his tools. He’s a short, squat man with the eyes of an eagle.

‘Shall we?’ asks John.

Liam and I step carefully onto the metal plates and advance towards the body.

The scene is a mess; so much blood. The crimson liquid has pooled underneath her body where the knives were plunged into her arms and legs. It has seeped slowly across the slick, icy surface from those same wounds.

Unusually, the blood from her jagged throat laceration has all spilled in the same direction. Most of it has crept a little way from her neck, while some has spurted quite a distance across the ice.