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Contents ( 23)
  1. A Second Chance at Eden
  2. Introduction
  3. Timeline
  4. Earth, 2070
  5. Sonnie's Edge
  6. Timeline
  7. Jupiter, 2090
  8. A Second Chance at Eden
  9. Timeline
  10. Nyvan, 2245
  11. New Days Old Times
  12. Timeline
  13. Tropicana, 2393
  14. Candy Buds
  15. Timeline
  16. Jubarra, 2405
  17. Deathday
  18. Timeline
  19. Tropicana, 2447
  20. The Lives and Loves of Tiarella Rosa
  21. Timeline
  22. Sonora Asteroid, 2586
  23. Escape Route

Camassia follows suit; and then Torreya, completely unabashed.

For the ability to transcribe this scene into a candy bud, Laurus would sell his soul. He wants it to stretch for ever and ever. Three golden bodies racing across the ragged grass, laughing, vibrant. The shrieks and splashing as they dive into the water, sending the fish fleeing into the deeps.

This is where it will happen, Laurus decides. In the shade of the magnolia blooms, her body spread open like a star, amid the moisture and the heat.

He's not sure he can wait two years.

• • •

Laurus has instructed his staff to set up the machine in the mansion's coldhouse conservatory, where it is sheltered from the sun's abrasive power by darkened glass and large overhanging fern fronds. Conditioners are whining softly as they maintain a temperate climate. Spring is coming to an end for the terrestrial plants growing out of the troughs and borders. The daffodils are starting to fade, and the fuchsia flowers are popping.

Two flaccid olive-green elephant ear membranes have been draped over a metal framework above the seed beds, photosynthesizing the machine's nutrient fluids. A tube patched in to the overhead irrigation pipes supplies water to the internal systems when they run dry.

«Does it snow in here?» Torreya asks.

«No,» Laurus says. «There are frosts, though. We switch them on for the winter months.»

Torreya wanders on ahead, her head swivelling from side to side as she examines the new-old shrubs and trees in the brick-lined border.

«I'd like to have some people take a look at your machine,» Laurus tells her. «Will you mind that?»

«No,» she says. «What is this tree?»

«An oak. They'll duplicate it for me, and I'll sell the candy buds the new machines produce. But I'd like you and Jante to stay on here. You can earn a lot of money with those fantasies of yours.»

She turns off into a passage lined by dense braids of cyclamen. «I don't want to leave. They're not going to dissect the main corm, are they?»

«No, certainly not. They'll just sample a few cells to obtain the DNA, so we can understand how it works. They'll start in a week or so.»

And then will come the task of setting up production lines. Selecting the information to transcribe. Finding fantasyscape artists as skilful as Torreya and Jante. The establishment of multi-stellar markets. Decades of work. And to what end, exactly? Laurus suddenly feels depressingly old.

«It's valuable, isn't it, Laurus? Our machine, I mean. Camassia says it is.»

«She's quite right.»

«Will there be enough money to buy Jante new eyes and legs?» Torreya asks, her voice echoing round the trellis walls of climbing plants.

Laurus has lost track of her; she's not in the cyclamen passage, nor the forsythia avenue. «One day,» he calls out. The thought of giving Jante eyes is an anathema, the boy might lose his imagination.

That is something else he is going to have to research carefully. Torreya and Jante can hardly provide an endless number of different fantasies to fill the candy buds once he starts mass-producing them. Although in the three days they have been at the estate they have dreamt up three new fantasies.