Chapters (46)
- A RANDOM ACT OF KINDNESS
- Dedication
- LOT 1
- LOT 2
- LOT 3
- LOT 4
- KIM
- LOT 5
- LOT 6
- KIM
- LOT 7
- KIM
- LOT 8
- LOT 9
- KIM
- LOT 10
- LOT 11
- LOT 12
- LOT 13
- LOT 14
- KIM
- LOT 15
- LOT 16
- KIM
- LOT 17
- LOT 18
- KIM
- LOT 19
- LOT 20
- LOT 21
- LOT 22
- LOT 23
- KIM
- LOT 24
- LOT 25
- KIM
- LOT 26
- LOT 27
- LOT 28
- LOT 29
- KIM
- Cato Hamilton Auctioneers & Fern Banks Vintage Auction Catalogue
- Acknowledgements
- Keep Reading …
- Also by Sophie Jenkins
- About the Publisher
I decide to go along with it. ‘In other words, these light boxes symbolically convince people they’re destined to stay together,’ I say, grinning to show I get the joke. It seems artistic but at the same time, cheesy.
‘You’re romantic, right?’ he says.
‘No.’ I’m not the slightest bit romantic, honestly. You only have to see Mick and me together to know that. And I’d absolutely never buy him a light box with two constellations in it, not even ironically. ‘What makes you think that?’
‘I suppose it’s because of your clothes. They’re romantic, from a different era. You look like that Bogey woman.’
‘Thanks.’ The words that no woman wants to hear.
‘Hang on …’ he’s clicking his fingers ‘… it’s on the tip of my tongue. That Hollywood actress. Humphrey Bogart’s wife. Bacall! Lauren Bacall!’
‘Oh, that Bogey woman, Bacall. She had wonderful style, didn’t she? Shoulder pads give such a great figure!’
For a moment his gaze skims over me and he looks away again quickly.
There’s a sudden awkwardness between us and I go back to my stall. I’m easing a dress over Dolly’s head, when I realise that David’s still watching me.
‘That’s vintage, is it? What’s the difference between vintage and second-hand?’
Dolly looks slightly indecent with her dress around her waist, as if she’s been caught drunk in a public place, and I tug it down quickly to spare her feelings.
‘The price.’
‘So how much is this one?’
‘One fifty.’
He laughs out loud – against his tan, his teeth are white and slightly crooked, giving him a roguish appeal.
‘What’s so funny?’ I ask. ‘This could be a wedding dress – see this colour?’
‘Pink, isn’t it?’
‘Pink! It’s not pink,’ I tell him. ‘It’s blush. It’s a great shade for a bride.’ I lift the hem. ‘Look at the quality. It’s hand-stitched – look at that! Where else could you get a hand-stitched wedding dress for a hundred and fifty pounds?’
‘Don’t ask me,’ he says. ‘Good luck,’ he adds, as if I need it, then he unfolds a chair, picks up a book and looks for new ideas for his light boxes.
Good luck? What’s that supposed to mean? I could think of plenty of sarcastic comments to make about light boxes, if I was that sort of person. You can’t use them as a light and you can’t use them as a box, so good luck to him, too.
A young Japanese couple wearing matching outfits come up to his stand and I retreat into my dresses and unfold my stool.