Back A Random Act of Kindness
Chapters (46)
  1. A RANDOM ACT OF KINDNESS
  2. Dedication
  3. LOT 1
  4. LOT 2
  5. LOT 3
  6. LOT 4
  7. KIM
  8. LOT 5
  9. LOT 6
  10. KIM
  11. LOT 7
  12. KIM
  13. LOT 8
  14. LOT 9
  15. KIM
  16. LOT 10
  17. LOT 11
  18. LOT 12
  19. LOT 13
  20. LOT 14
  21. KIM
  22. LOT 15
  23. LOT 16
  24. KIM
  25. LOT 17
  26. LOT 18
  27. KIM
  28. LOT 19
  29. LOT 20
  30. LOT 21
  31. LOT 22
  32. LOT 23
  33. KIM
  34. LOT 24
  35. LOT 25
  36. KIM
  37. LOT 26
  38. LOT 27
  39. LOT 28
  40. LOT 29
  41. KIM
  42. Cato Hamilton Auctioneers & Fern Banks Vintage Auction Catalogue
  43. Acknowledgements
  44. Keep Reading …
  45. Also by Sophie Jenkins
  46. About the Publisher

Staring up at her sash window, I can now see grey smoke opaquing the glass and leaking out around the edges, fraying the sky above our heads. Down in the basement beneath it, I can see clearly into my lounge and my heart jumps a beat. ‘Hey! My clothes are in there!’

‘Don’t do it, Fern!’ she said, holding me back ineffectually with her free hand. ‘It’s not worth it!’

‘My stock! It’s all I’ve got,’ I say as I dash back down the stairs and let myself back into the smoke-alarm-screaming din of the house.

I’m just going in for the clothing rails, but once inside the flat, the noise sends my adrenaline up a notch. The atmosphere has turned from a haze into a smog. I look at the ceiling and see smoke rings coming out of the spotlights. I struggle to push the clothing rail through the door. The wheels brace themselves against the doorframe, reluctant to leave.

Above the scream of the smoke alarm I hear the duetting wail of the fire engine and the squeal of an ambulance, and above them both, I hear Lucy frantically calling my name with varying emphasis and increasing volume as if this is her last chance for a BAFTA.

Still grappling frantically with the clothing rail, which not long ago had come through that same gap without any problem, I start to cough. In the end I give up and unhook my most expensive pieces then hurry into the hall just as an axe splinters a panel of my front door.

‘Oi!’ I open it, coughing, full of indignation because I’m going to have to pay for that. ‘What did you do that for? I was just about to open it!’

‘You could get yourself killed,’ he says. ‘Get out, now!’

So I do.

I find Lucy sitting in the back of an ambulance having her oxygen levels tested. I look at her bitterly. She’s clutching her black towel around her and sobbing beautifully; it’s heartfelt but not overdone. The paramedic tests my oxygen levels too, and we’re both declared fine with the slight disapproval that the medical profession reserves for malingerers. We get out of the ambulance again and I nurse and juggle my dresses like heavy babies.

It’s weird – when you’re wearing them the clothes are so light you never notice the weight. But carry a few of them in your arms or in a suitcase and they take on a surprising mass density.

A car pulls up and a Camden New Journal photographer gets out with a reporter. And of course when they see Lucy, their jaded expressions totally disappear, because this is a story that writes itself: Lucy in her towel and me in my Lauren Bacall trench coat, scarlet lipstick freshly applied, trying to save my livelihood.