Back A Parisian Affair and Other Stories
Chapters (37)
  1. Cover
  2. A PARISIAN AFFAIR AND OTHER STORIES
  3. BOULE DE SUIF1
  4. A PARISIAN AFFAIR
  5. A WOMAN’S CONFESSION
  6. COCKCROW
  7. MOONLIGHT
  8. AT SEA
  9. A MILLION
  10. FEMME FATALE
  11. MONSIEUR JOCASTE
  12. TWO FRIENDS
  13. AWAKENING
  14. THE JEWELS
  15. TRAIN STORY
  16. REGRET
  17. MINOR TRAGEDY
  18. THE CHRISTENING
  19. COWARD
  20. ROSE
  21. IDYLL
  22. MOTHER SAUVAGE
  23. MADAME HUSSON’S ROSE KING1
  24. ENCOUNTER
  25. HAPPINESS
  26. A BIT OF THE OTHER
  27. LOVE
  28. HAUTOT & SON
  29. NEW YEAR’S GIFT1
  30. THE HORLA1
  31. DUCHOUX
  32. THE LULL-A-BYE
  33. MOTHER OF INVENTION
  34. WHO KNOWS?
  35. LAID TO REST1
  36. THE NECKLACE
  37. Notes

As soon as he reached the open country he stopped in order to contemplate the whole plain which was suffused with this caressing glow and basking serenely in the tender, languid charm of the night. The brief, metallic croak of frogs filled the air on which the notes of a distant nightingale fell one by one. Its clear and delicate song was made more for reverie than reflection and its music to accompany kisses in the magic of the moonlight. As the priest took up his walk again he felt something within him, he knew not what, begin to falter. He felt suddenly tired and weak. He needed to sit down and look, to admire the work of God.

In the distance a long line of poplars snaked along the winding river’s edge. A fine, vaporous white mist through which gleaming silver moonbeams shone hovered over and around the banks and enveloped in a transparent cocoon every twist and turn of the waters.

The priest stopped once more, touched to the depths of his soul as he felt growing within him a mounting and irresistible tenderness. He could feel a worrying doubt creep into his thoughts: a question was beginning to grow once more in his mind. Why had God created this? Since night was obviously made for sleep and unconsciousness, rest and all-embracing oblivion, why make it even more lovely than the day and sweeter than any twilight or dawn? Why did this slow and stately star, more beautiful than the sun itself, banish all shadow and illumine things too delicate and mysterious for the light of day? Why did the finest of nature’s songbirds not rest like her fellows but sing alone in the darkness of night? Why this veil cast over the world? Why the wild beating of his heart? This yearning of his soul? Why this languor of the body? Why this panoply of loveliness which no one sees if asleep in bed? For whom was this sublime spectacle created, this poetry beamed down from heaven to earth?

The priest could find no answer.

Suddenly in the distance at the meadow’s edge, under the arch of trees resplendent in the glistening haze, two shadowy figures walking side by side came into view. The man, the taller of the two, had his arm around the shoulders of his partner and from time to time, drawing her closer to him, he kissed her forehead. The couple gave life to this still landscape which surrounded them like some divine frame. They seemed as one, the single being for whom this calm and silent night was made. They came towards the priest as a living response sent to him by his Maker.