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Chapters (42)
  1. Copyright Notice
  2. Dedication
  3. The Principal Actors, 1609
  4. Epigraph
  5. PART ONE
  6. 1
  7. 2
  8. 3
  9. 4
  10. 5
  11. 6
  12. 7
  13. 8
  14. 9
  15. 10
  16. 11
  17. 12
  18. 13
  19. 14
  20. PART TWO
  21. 15
  22. 16
  23. 17
  24. 18
  25. 19
  26. 20
  27. PART THREE
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. 26
  34. 27
  35. 28
  36. EPILOGUE
  37. AUTHOR’S NOTE
  38. ACKNOWLEDGMENTS
  39. Also by Lucy Jago
  40. Praise for A Net for Small Fishes
  41. ABOUT THE AUTHOR
  42. Newsletter Sign-up

I have known Frankie for nearly seven years.

She is twenty-five years old and eight months pregnant.

I am thirty-nine years old and about to die or be pardoned.

Before dawn a young woman is shown into my bitterly cold cell. By the light of two candles I note that she is not much older than Barbara.

“What is your name?” I ask, as if the day is ordinary, which it is not. The girl remains mute, a reminder to me that I have no authority, even over a low servant. I try to smile so as not to frighten the girl. I could not bear to frighten her. She is life.

She pours water into a bowl and it steams in the icy air. I dip a cloth into it, enjoying the warmth on my cold hands. Every sense in me is greedy for what little there is left to experience. I stare into the small mirror the girl has brought and am shocked by how sad and tired I look. My hair, dirty gray strands among the gold, is pulled back from a face hollowed out by fear and regret.

I put the mirror down.

“Do you know how to dress me?”

“Yes, mistress.”

The girl unpins the black silk I have been wearing since the trial. The feel and smell of it is sickening and reminds me of the stench of the silk farm. Layers are peeled off until I am naked. The maid casts furtive and anxious glances at my shivering body, perhaps looking for signs of witchcraft: a birthmark shaped like a goat, a wart that bleeds, freckles in the shape of the Pope’s mitre, as had the confessor. There are mainly goosebumps. For the last time, I also look at my body, shaped by life. My breasts are sinewy from the suckling of six infants; my belly and hips scarred by the reversals of fortune that led them one year to be round, the next flat; my toes are slightly crossed from the long wearing of pointed shoes with heels. Yet my body has more good years left in it; years in which I could have cradled children and grandchildren. It grieves me that this good, strong body will go to waste.

The maid has brought a pile of clothes that I recognize as my own, and I take up a white undershirt. From the care with which it has been pressed, I can tell that Barbara has prepared it. That my daughter has had to perform such an onerous task is so dreadful I bury my face in the scented linen and weep. It is these unexpected moments of unbearable pain that bring death closer than all Dr. Whiting’s talk of the hereafter.