In the archway to the dining room, a heavyset man in his sixties sat in a wheelchair, his expression blank, his pants undone in front, heavy paunch protruding. She crossed the room and turned his chair around so that it faced the television set. She put headphones on him and then plugged the jack into the TV, which she flipped on. He watched a game show whether he liked it or not. A couple were dressed up like a boy and girl chicken but I couldn't tell if they were winning anything.

"I'm Grace," she said. "That's her father. He was in an automobile accident three years ago last spring. He doesn't talk but he can hear and any mention of Elizabeth upsets him. Help yourself to coffee if you like."

There was a ceramic percolator on the coffee table, plugged into an extension cord that ran back under the couch. It looked as if all the other appliances in the room were radiating from the same power source. Grace eased down onto her knees. She had about four yards of dark green silk spread out on the hardwood floor and she was pinning a handmade pattern into place. She held a magazine out to me, opened to a page that showed a designer dress with a deep slit up one side and narrow sleeves. I poured myself a cup of coffee and watched her work.

"I'm running this up for a woman married to a television star," she said mildly. "Somebody's sidekick. He got famous overnight and she says he's recognized even in the car wash now. People asking for his autograph. Has facials. Him, not her. He was poor, I hear, for the last fifteen years and now they go to all these parties in Bel Air. I do her clothes. He buys his on Rodeo Drive. She could, too, on the money he makes but it makes her feel insecure, she says. She's much nicer than he is. I already read in the Hollywood Reporter, 'New Two You,' him and somebody else 'pulling up steaks at Stellini's.' She'd be smart to put an expensive wardrobe together before he leaves her if you ask me."

Grace seemed to be talking to herself, her tone distracted, a smile warming her face now and then. She picked up a pair of pinking shears and began to cut along the straight edge, the scissors making a crunching sound against the wood floor. For a while I didn't say anything. There was something hypnotic about the work and there seemed to be no compulsion to converse. The television flickered, and from an angle I could see the girl chicken jumping up and down, hands to her face. I knew the audience was urging her to do something – choose, pass, change boxes, take what was behind the curtain, give back the envelope, all of it taking place in silence while Libby's father looked on from his wheelchair incuriously. I thought she should consult her boy-chicken mate but he just stood there self-consciously like a kid who knew he was too old to be out in costume on Halloween. The tissue-paper pattern rustled as Grace removed it, folding it carefully before she laid it aside.