"What the hell are those things?" I eased out of the car cautiously but neither paid the slightest attention to me.

"That's Hansel and Gretel," she said amicably "They're Embden geese."

"The geese part I could tell. What happened? Did somebody train them to kill?"

"It keeps little kids off the property," she said. "Come on in. " She inserted a key in the lock and the front door swung open. Nikki stooped to pick up some junk mail that had been pushed through the slot. "The mailman gives them saltines," she said as an afterthought. "They'll eat anything."

"Who else had keys to this place?" I asked. I noticed an alarm-system panel, which was apparently turned off.

She shrugged. "Laurence and me. Greg and Diane. I can't think of anyone else."

"Gardener? Maid?"

"Both have keys now but I don't think they did at the time. We did have a housekeeper. Mrs. Voss. She probably had one."

"Did you have a security system then?"

"We do now but that's only been in the last four years. I should have sold the place years ago but I didn't want to make decisions like that when I was in prison.

"It must be worth a lot."

"Oh sure. Real-estate values have tripled and we paid seven hundred and fifty thousand at the time. He picked it out. Put it in my name for business reasons, but it never did appeal to me much."

"Who did the decorating?" I asked.

Nikki smiled sheepishly. "I did. I don't think Laurence knew any better, but I took a subtle revenge. He insisted that we buy the place so I left all the color out."

The rooms were large, ceilings high, and plenty of light came in. The floors were dark-stained tongue and groove. The layout was very conventional: living room to the right, dining room to the left, with the kitchen behind. There was a sitting room beyond the living room and a long glassed-in porch along that side, running the length of the house. There was a curious air to the house, which I assumed was because no one had lived there for years, like a department-store display of especially elegant appointments. The furniture was still in place and there was no sign of dust. There were no plants and no magazines, no evidence of ongoing activity. Even the silence had a hollow tone, barren and lifeless.

The whole interior was done in neutral tones: grays and oyster whites, hazel and cinnamon. The couches and chairs were soft upholstered pieces with rounded arms and thick cushions, a sort of art deco look without any attempt at flash. There was a nice blend of modern and antique and it was clear that Nikki knew what she was doing even when she didn't care.

Upstairs, there were five bedrooms, all with fireplaces, all with bathrooms of remarkable size, deep closets, dressing rooms, the whole of it carpeted in thick fawn-colored wall-to-wall wool shag.

"This is the master suite?"