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Chapters (28)
  1. "A" is for ALIBI
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27

At 4:00, I drove out to Nikki's beach house. I had called to say I was back in town and she invited me out for a drink. I wasn't sure yet how much I would tell her or how much, if anything, I would hold back, but after my recent gnawing suspicions about her, I wanted to test my perceptions. There are moments in every investigation when my speculations about what's possible cloud and confuse any lingering sense I have of what's actually true. I wanted to check out my intuitions.

The house was situated on a bluff overlooking the ocean. The lot was small, irregular in shape, surrounded by eucalyptus trees. The house was tucked into the landscaping-laurel and yew, with pink and red geraniums planted along the path, its exterior made of cedar shingles, still a raw-looking wood brown, the roofline undulating like an ocean swell. There was a large oval window in the front, flanked by two bow windows, all undraped. The lawn was a pale green, tender blades of grass looking almost edible, curls of eucalyptus bark intermingled like wood shavings. White and yellow daisies grew in careless patches. The whole effect was of subtle neglect, a refined wilderness untended but subdued, curiously appealing with the thick scent of ocean overlaid and the dull thunder of waves crashing down below. The air was moist and smelled of salt, wind buffeting the ragged grass. Where the house in Montebello was boxy, substantial, conventional, plain, this was a whimsical cottage, all wide angles, windows, and unpainted wood. The front door had a tall oval leaded glass window in it, filled with tulip shapes, and the doorbell sounded like wind chimes.

Nikki appeared at once. She was wearing a celery-green caftan, its bodice embroidered with mirrors the size of dimes, the sleeves wide. Her hair was pulled up and away from her face, tied with a pale-green velvet ribbon. She seemed relaxed, her wide forehead unlined, the gray eyes looking light and clear, her mouth faintly tinted with pink, curving upward as though from some secret merriment. The languidness in her manner was gone and she was animated, energetic. I had brought the photograph album Diane had given me and I handed it to her as she closed the door behind me.

"What's this?" she asked.

"Diane put it together for Colin," I said.

"Come see him," she said. "We're making bread."

I followed her through the house. There were no square rooms at all. The spaces flowed into one another, connected by gleaming pale wood floors and bright shag rugs. There were windows everywhere, plants, skylights. A free-form fireplace in the living room looked as if it had been constructed from buffcolored boulders, piled up randomly like the entrance to a cave. On the far wall, a crude ladder led up to a loft that overlooked the ocean. Nikki smiled back at me happily, placing the album on the glass coffee table as she passed.