What he did find was rumor, gossip, and a little fact. Zillah had certainly flaunted her beauty, encouraged by Delphine, who seemed to get as much pleasure from it vicariously as did Zillah herself. She enjoyed all the usual pastimes: dancing, riding in carriages, swapping tales with other girls, and inventing stories, listening to music, walking, or rather parading, in the park. But she was a trifle more self-conscious than others and never lost her awareness of exactly how to dress to flatter her looks. She was never careless or ill groomed; her glorious hair was always beautifully done or undone. She watched scrupulously what she ate. Perhaps that was the sternest test of vanity. She did not ever allow herself to indulge in sweets or chocolates, rich pastries or cream cakes. If her mother guided her, it was so discreet it remained unobserved.

Yes, she had certainly flirted outrageously with Lord Tain-bridge's eldest son. It had very possibly gone beyond what could be regarded as innocent, although if it had been sufficient to sacrifice her virtue, no one was prepared to say.

Monk could only wonder. It might well have been. Young blood is hot, and passion and curiosity are potent forces. Perhaps Zillah was not the virgin she claimed. He could not find himself regarding that prospect with horror, only a sadness that the thought, the idea, should be enough to bring this public ruin on both herself and Melville. After all, it was a purely private matter... if, indeed, it was a matter at all.

He left at last to go to Rathbone's rooms and admit that he had nothing certain, only innuendo which might and might not be a weapon if used sufficiently skillfully. He turned over in his mind the subjects of marriage and beauty, and the set of values by which it seemed society judged a woman and led her to judge herself. If a girl was pretty and at least reasonably agreeable, unless some appalling scandal attached to her, she was certain of finding a husband. The prettier she was, the wider her choice, until it came to the aristocracy, where only a ravishing beauty could hope to overcome the barrier of poverty or ignominious family background.

So much depended on appearance. Why? One might suppose man was a creature with only one sense, that of sight. Did one acquire a wife merely to look at? Certainly good looks were most pleasing, a clear complexion, lovely hair, fine eyes. Actually, a beautiful mouth was the feature that most woke Monk's hungers—and his dreams.

But why? Did one imagine that the curve of a cheek or an eyelid actually had meaning? Did a lovely face always indicate a lovely character?

That was idiotic! Any man who still possessed the wits he was born with knew better than that.

In his mind—yes. But in his heart?

What of humor or courage, loyalty, gentleness, and for heaven's sake, intelligence?